Monday, April 2, 2012

Gap Between Public Expectations and Archival Practice: The 1940 U.S. Census

         On the day of this writing, the U.S. National Archives and Records Administration has found itself facing bad press for the simple issue of misunderstanding the power of their own archival records. The non-indexed 1940 U.S. Census, which lists all information about those having survived the Great Depression and provides a snapshot of life the year before Pearl Harbor, has been released as of Monday, April 2, 2012. However, the system which NARA used crashed due to the huge number of hits and the lack of planning or contingency system in place for the Internet traffic flow. FOX News reported that "Nearly 2 million people flocked to the site in just the first few hours after the Archives posted a searchable database of materials from the 1940 national head count" (http://www.foxnews.com/us/2012/04/02/21-million-still-alive-from-140-census/).

       NARA's website and records typically have not received heavy traffic flow, something I would argue is because of the limited nature of online digital records apart from newspapers and some standard historical items over different time periods. Alexia, a website traffic reporting agency, gives the following report for the past 3 months on NARA's website and the regular amount of traffic flow they are accustomed to: "Archives.gov is ranked #13,659 in the world according to the three-month Alexa traffic rankings. About 45% of visits to it are bounces (one pageview only). The site's visitors view 4.2 unique pages each day on average. The fraction of visits to the site referred by search engines is about 19%. The time spent in a typical visit to Archives.gov is about four minutes, with 38 seconds spent on each pageview." Most of the viewers to NARA's site are females over the age of 65 years old, which for those of us in the archives profession take this to mean genealogists for the most part.

             As NARA releases the 1940s census in the most wired period of world history, they have simply overlooked a major tenant taught in any basic digital preservation or digital curation graduate archives course: plan for all possible digital access needs, database system requirements, and anticipate the volume of users who could attempt to access the data.  NARA is not use to the types of traffic flows that entertainment companies such as NBC, Hulu, Amazon, Ebay, or Apple are, and such unfamiliarity is hurting their reputation with the public. What is ironic is that the National Archives in one of the standard bearers for institutions throughout the U.S. on how to model their own digital repositories, and how to manage data storage. As NARA calls in a third-party vendor to fix problems with records that until yesterday were maintained as "confidential due to legal privacy restrictions," one has to wonder about the ability of archival institutions to keep pace in the digital world. Most archives debate metadata schemas while failing to plan for proper storage environments or use pre-formatted archival management systems with poor search engines to manage their online content. In a world where 12-year olds can write apps that are used by millions of people, the gaffe of NARA is in showing itself out of step with the digital world.

        In a poorly-structured step in the access module, NARA selected the 5-year old firm Inflection that runs the Archives.com website, along with Familysearch.org, pay sites for genealogical research, to host the 1940s Census, because NARA does not have the digital repository space or server space to manage the collections. A lot of this has to do with the failure of NARA's 10-year program to develop a national digital repository (see earlier post on national digital repositories on this blog). Interestingly enough, Inflection also runs a search company where individuals can pay to locate current records for individuals. Inflection's Archives.com executive VP made the following stunning comment: "John Spottiswood, executive vice president of site host Archives.com, touted worldwide availability of the massive database to millions of family researchers: 'We just hope not all at the same time.' He may not have gotten his wish" (http://h-net.msu.edu/cgi-bin/logbrowse.pl?trx=vx&list=H-DC&month=1204&week=a&msg=KsW7eK%2By6%2BeEXO1bri3DcA&user=&pw=). For one of the biggest records unveils in over a half century, the company NARA is using hopes that not everyone accesses the records at once!

     Of a deeper concern for young archival professionals who have been use to the proliferation of "cloud computing" talk in digital preservation and for digital repositories, one of the greatest concerns with cloud storage systems is that stuff is literally just in a cloud. The technology is too new for the large and vital data that many institutions wish to store in such systems. Many digital curators have raised concerns over cloud storage, due to the incompatibility of cloud systems with one another from other agencies. NARA relied on Archives.com's services for this census records launch, but Archives.com uses the cloud computing system of Amazon.com, a for-profit public merchandise vendor. Amazon was one of the first public cloud computing services in the world, but in their first few launches, Amazon's music cloud failed. Now, "Spottiswood said it might take time for the Amazon cloud system the site is using to accommodate all users. About three hours after the launch, the Archives blog advised: 'We are working with Amazon to get the site up to speed'" (http://h-net.msu.edu/cgi-bin/logbrowse.pl?trx=vx&list=H-DC&month=1204&week=a&msg=KsW7eK%2By6%2BeEXO1bri3DcA&user=&pw=).

    Somehow as a young archivist, I fail to trust Amazon.com to backup the census records from one of the country's most important and anticipated-released census. Why, with all the resources invested by NARA and encouraged by government institutions such as IMLS with grants focused on digitization projects, is the U.S. government so frail when it comes to digital storage of historic records? Currently, the U.S. spends more money and server space on monitoring Americans for terrorist activities than it seems to be on its heritage. One of the founding principles of a National Archives is to make the records easily and readily accessible to the public. I'm shocked that such a high digital curation standard bearer as NARA is not practicing what it preaches. This situation does not bode well for future digital repository systems, nor does it offer any confidence that a majority of the country's digital records will be accessible as we move deeper into the second decade of the 21st century.  

Sunday, February 12, 2012

I Demand A QR! QR Codes and the Archives, Part 2

Well, after a long delay, I offer my thoughts and approaches to utilizing QR codes in the processing and increasing access to archival collections. After three months of research, I located virtually nothing regarding the application of QR code technology to the archival workflow. The challenges of doing such a thing are immense, and at the heart of being able to release a new virtual dream in QR codes revolves around the URL. As QR codes mandate either constant updating of changing URL addresses (for example, in the university library environment, where university IT departments can change sites during redesign processes) or a stable base URL address from which to develop QR codes for archival materials, few mass processing experiments have occurred in this realm. Let's ponder, for a moment, how in a perfect world a QR code could work in archival processing: let's say you have a three-box collection of family letters, and you are processing the collection in an EAD-formatted finding aid. Rather than chose to process at item-level, you arrange the letters by creator then by year (possibly including month), and group those years within folders. After a completed finding aid is ingested into an online EAD finding aid repository at the institution, you print off QR codes on sheets of acid-free paper (regular Georgia-Pacific printer/copier white paper is acid-free and could be used to mitigate increased processing expenses) corresponding to each folder in the EAD finding aid folder list, and place the QR code in the front of the folder for use by patrons and archives' staff. With the added dimension of QR codes connected to the EAD folder list, a processor could attach tags, extra information learned during processing about the letters in the folder, or cross-reference similar content in other folders with the one the patron is exploring. The possibility here is of adding a social and scholarly element to EAD finding aids, not currently possible with paper finding aids or PDF finding aids typically found in most archives.

Beyond this, a processor could attach a QR code on a label to the collection boxes, which leads a patron to the box list or finding aid for that particular box/collection, without having to print out paper finding aids or locate the finding aid in a single master finding aid binder (especially when more than one individual needs access to the finding aid binder). With a simple camera phone, archives can expand tremendously the ability of the patron to freely explore the descriptive content for the collection prior to even exploring individual items within the collection. Applying tags to EAD finding aids (structured tags corresponding to common archival descriptive language/subject terms) will allow users, researchers, and staff to, with the snap of a camera phone, explore which other collections will have similar materials, which collection folders match specific items or folders in another collection, and possible assist archivists at an institution in figuring out what portions of a collection they have not made EAD-compatible. The archives could purchase several inexpensive, security-tagged smart phones with limited internal network/Internet capabilities that can be used to explore the archives' collections. If processing of collections is the point at which both EAD concepts and QR codes are applied, in a 5-10 year period, an archives could explode the scope of their social networking outreach, relevancy to younger generations, keep in-step with current digital researching trends, and save the time it will take years down the road to attempt to make their collections web-relevant or "e-discoverable." Instead of forcing archives staff to know or look up keywords and subject information on subjects they may not know, the staff could use the inter-connectedness of QR-coded EAD finding aids to locate ties between materials in a way that extreme cross-referenced 3"x5" card catalogs previously had in archives (though several major archives still utilize these systems, such as the Filson Historical Society of Louisville, Kentucky). Time will be saved, connections will be found, standardized archival terminology will be maintained, and users will feel like they are on a unique, self-developed treasure hunt for historical records.

Much the same way that genealogists utilize family trees to help trace family history or connections amongst individuals, so QR codes could become the virtual branches in archival processing amongst collections. I would also add that temporary QR codes could be printed off during the records survey and inventory period, ascribed to boxes or piles of material (using a bookmarking system with the QR code) and harnessed along the way to ensure all records or boxes have been investigated (or that you are note accidentally going over the same materials again, adding them to the inventory twice). Automatic lists could be generated to match the QR codes in such a way that will allow an archivist to continue to using the same QR code and merely change the title or name corresponding with it. This process would speed up the creation of EAD find aids, though new QR codes would be needed at the point of conversion to EAD for the finding aid. QR codes used in this manner would demand each institution to have a closed network space with the ability of the archivists to create unique URLs that it could apply at-will during the inventory or processing phase, in relation to QR code creation. A negative of this approach would be added waste of paper and ink as temporary QR code sheets are created.

As the QR code scanner/reader systems get better developed and more robust, they now are holding the ability to track the usage of the code. A New York-based company called BeQRious offers the following abilities with QR codes that correspond quite nicely with the needs or archives in processing: "Our code management dashboard lists all your QR codes for you, what campaigns they belong in, the content they resolve to, whether they are active or not, statistics and an option to mail them. You could even delete or edit your QR code from this interface. You could also specify to view all QR codes for a certain group or campaign. If you are not sure which QR code you’re looking for, you could search for it" (http://beqrious.com/qr-code-tracking/, emphasis added). Dynamic QR codes allow a user to alter the URL information, using the same QR code while relocating the URL--an option that would be greatly beneficial to archives and save on resources from reprinting or re-creating codes to match the archival collections: "Dynamic QR codes allow you to edit the code's destination at any time. These dynamic codes are a great solution to someone who wants to experiment with QR codes without having to constantly re-create these cute little squares!" (http://trakqr.com/).

A fun option that could be both a part of outreach, professional communication, internal institution development and programing, and other similar situations would be to print off a QR code book, containing on sheets of paper the QR codes matching archival collection finding aids or collection abstracts, as well as possibly collection folder QR codes. This book or binder could be carried with the archivist or archives manager to meetings where individuals can utilize their smart phones to look at information simply by passing around the binder. It will allow for interaction and compact advertisement of archival collections holdings in such small gatherings, giving individuals the option to explore more in-depth your holdings if they so desire and at their own rate, while giving other equal opportunity to explore the same materials in their own time.

While this all sounds great, the reality is this is not feasible as the state of archives in the U.S. stands as of now. Meissnner and Greene in their famous article on "More Product, Less Process," noted that a 1998 Association of Research Libraries study of its member institutions' special collections found roughly that one-third of collections are unprocessed. With the limits in staff, technological training, IT staff and network systems, as well as economic factors, having archival collections prepared in such a way to be able to utilize QR codes may not be realistic (http://ahc.uwyo.edu/documents/faculty/greene/papers/Greene-Meissner.pdf). EAD is still mostly utilized by major institutions for electronic finding aids--many small and medium-sized institutions have not developed metadata schemas or electronic finding aid formats (there is still a heavy reliance on PDF and Word document finding aids, if there are finding aids at all). Also, institutional leadership may resist the application of QR code technology in the same way that other more advanced technological tools are being resisted: agism, lack of exposure or technological understanding, and resistance to change can all play factors here. A more simply challenge to using QR codes in processing is a base issue of the smart phone itself. With the challenges archival institutions face regarding copyright laws, intellectual property protection, and other similar privacy concerns, allowing patrons and staff alike to use camera-based phones in an archival setting is a major concern. Not only could images be taken of materials restricted by donors or containing private personal information (such as telephone numbers and Social Security numbers), but replication of images by a patron and posting to social networking sites could harm the financial reliance of archives on charges for photo reproduction/scanned images. As mentioned previously, though, an archives could have closed-system smart phones that will allow users the benefits of QR codes while maintaining the protection of archival collections. There are solutions, but they demand planning and consistent implementation by all staff (including student workers and graduate students). Students who are users especially will have a hard time understand or accepting why they can use the archives' smart phones but not their own for the QR codes, when their phones are more familiar and easier to utilize.

Sunday, January 1, 2012

Online Collection Spotlight: Rubenstein Rare Book and Manuscript Library's "Civil War Women" Materials

A wonderful small online collection of archival material related to U.S. Civil War Women is presented by Duke University's David M. Rubenstein Rare Book and Manuscript Library. Called "Civil War Women," the collection of papers and diaries by three Civil War era women from the South--both Union and Confederate women--provides users and Civil War buffs with the involvement of women beyond the typical charitable groups involved in the Civil War effort. The collection documents have been scanned and transcribed for use and for the ability to see the original materials. The collections show a schoolgirl describing soldier occupation of Gallatin, Tennessee; a wife of a Union Army recruiter; and a female Confederate Civil War spy in Washington, D.C.

Though small in content, the simple formatting of the transcriptions, and the mix of ages of women and their experiences in the war, makes this a very nice collection website for use by libraries for researchers, by scholars, and by cultural institutions looking for multiple perspectives to give visitors during the 150th anniversary of the U.S. Civil War. I've seen a lot of these websites done by families whose ancestors were involved in the Civil War, and the website formatting was very similar. What Duke has done is maintain a simply family-styled format (in-keeping with what many more localized Southern researchers are use to encountering) that makes widely available unique materials. I like the site and its efforts. Check it out: http://library.duke.edu/rubenstein/collections/digitized/civil-war-women/

Active Digital Archival Depots: State Archives of Netherlands e-Depot

In 2007, the Dutch government and the Dutch State Archives took an approach towards active digital archival preservation and widespread access by the development of what they termed an "e-Depot." Rather than acting as many U.S. organizations have, the Dutch wanted to begin some sort of storage and distribution center for digital archival materials to allow ingestion of the materials and access across departments/to the general public. U.S. organizations have this "catch-up" mentality, which is trying to get paper documents into digital formats while managing digital materials currently being created at the same time, with the result that we are constantly trying to get caught up with technology and the volume of digital materials. The Dutch State Archives has shifted its focus from this mentality towards "the realisation of a fully-fledged digital depot, whereby the ongoing accessibility of digital archives can be ensured, whereby digital archival records can be more effectively delivered to a wide audience, and whereby the transfer of digital archives from government departments to the State Archives Service can be made more efficient. The digital depot will enable the State Archives Service to accept and manage digital archival material" (http://en.nationaalarchief.nl/information-management-and-creation-of-archives/sustainable-management-of-digital-archiva-4).

A centrally-accessible repository for all--whether government, citizen, or archivist. Now that sounds extremely democratic to me, much more so than the current state of U.S. digital archival systems. A lot of this has to do obviously with the differences amongst the Dutch government/society compared and the U.S. However, President Obama recently had a memo announced that shows the President wants the U.S. to develop plans by April 2012 to have a more centralized digital repository that will be managed by the National Archives and Records Administration (even though budget cuts by the President have cut NARA jobs or programs for the coming year). Chief U.S. Government Records Officer Paul Wester "said new laws and regulations may be needed to move the process of creating a more unified electronic records system forward" (http://www.computerworld.com/s/article/9222248/Obama_wants_feds_to_digitize_all_records). But as Computerworld, the group that conducted the interview with Wester noted, NARA has officially ended a 10-year project to create an online electronic records repository that would be accessible to all citizens. Heck, historic records aren't even available yet through any centralized database, let alone current records. If it's taken 10 years for a project to fall through, what hope under the U.S.'s current approach to electronic records management will the future citizens and government of this country have when it looks back to the 1990s-2010s? We will have no records, and our citizens will not have access to records the Constitution gives them right to due--not to cover ups or issues of government redaction--but to being unable to keep up with technology (the very technology the U.S. government promotes for archives to begin using through grants and state programs for which little funding is available). We have more money allocated for developing new technology for the military than we do for our nation's internal records access, preservation, and security.

The Dutch State Archives Digital Depot became operational in 2010, and now the nation has a means to preserve electronic records from this point forward, giving the Dutch time to catch up on preserving records in older formats/outdated electronic formats. The National Library of The Netherlands (KB) has been working with the State Archives by storing the nation's scientific and scholarly publications in the e-Depot: "Next to its national deposit collection, the e-Depot contains the digital archive of the Dutch academic institutional repositories, the Dutch web archive from 2008 onwards and the master archive of national digitisation projects" (http://www.openplanetsfoundation.org/members/national-library-netherlands). The KB's goal for their collections within the e-Depot is to move from 15 terabytes of articles as of 2008 to by 2013 having 700 terabytes. The Dutch e-Depot has become the digital storage center for electronic journal publications, and it is no wonder that most scholarly journal publishers in Britain and the Netherlands have used the Dutch State Archives to store the world's past and new electronic scholarly research.

Why has the U.S. lagged so far in their appreciation for records management digitally? Why have the Dutch moved so far ahead of the world when the U.S. basically developed the personal computer and so much of the world's technology out of Silicon Valley? One issue is that the U.S. is a relatively young nation that has not come to appreciate the importance of national and state records as other nations that have faced wars, territorial divisions, records destruction, and other issues such as the Dutch have faced. Between the 1600s and World War II, the Netherlands suffered enormously from conflicts and territorial divisions that made information about the country and its population be more vital in the national consciousness than the U.S. sees it in this country. The U.S. is losing many of their records by simple neglect, by poor security, and by a lack of focus on the benefits of information. Ironically, in the new information age, we are now worried about information loss, but only as it applies to digital information--the current information medium. The U.S. still lacks an appreciation for the preservation of past information. U.S. businesses have been the biggest contributors to this national information loss as mergers and business demands outweigh preserving identity. Companies and state agencies affect society so much, employ the great majority of U.S. citizens, and are a large part in the development of societal interactions. The companies and agencies' records shed light on these developments, but many of these records are gone now or in such a state of disrepair that rebuilding an organizational or cultural identity will lead to incomplete views r knowledge about specific portions of the U.S.'s development. It is a shame the information is being lost and seen as nice to save, but there not being enough time to go back and manage all the past records of the company or government.

I believe this to be the genius of the Dutch system: start now in preservation, no matter how inadequate due to technology changes, and be able to not have to worry 20 years from now about the time it will take to go back over the digital records. In the U.S., after having worked at a county records center and archives, the general population and even government officials do not understand or know what information is available, how to utilize it, where it came from, or how to access it. It does little good to have records digitized without context, which is what many government digitization projects are doing now: digitize this collection or agency, and put it together with other agencies' records. What the Dutch have done is state the importance of all records created within a country--whether by the government or by citizens themselves (either researchers, businessmen, etc.)--should be associated together in a structured system. These records define the nation and the people within the nation. It's also important to remember for the U.S. that if a centralized digital repository was begun today, we would not have as great of a cost to try preserving and ingesting records in old formats down the road. Even though we are in a recession, I believe the U.S. government needs to take an approach to their records like the government did during the Depression with the WPA to preserve historical information, lands, artistic accomplishments, and other such things that would give a nation suffering financially some pride in itself and the informational basis to rebuild after the troubled times.

I do not believe the U.S. government will be up to speed with the Dutch until at least 2020, by than which billions of documents will be in outdated formats, and--much like an issue I face right now at my current institution with U-matic video cassettes that document the organization's advertising approaches--the cost to transfer records further down the road greatly increases and becomes challenging as the equipment is gone. Even the National Archives of Estonia, a former Soviet Republic as of 1989, is in the middle of finishing a project for their national digital archival repository, similar to the Dutch in some ways (http://riigi.arhiiv.ee/en/digital-archive-development/&i=6). Centralized digital records depositories must be developed in the U.S. (whether centralized at the state or national level). The two closest U.S. state systems I can recall that have some centralization of their digital records are in Ohio (OhioLink) and in California (Online Archive of California). Even these, though, are not of the scale being attempted by the Dutch. If the U.S. cannot agree on metadata standards and infrastructure soon, there will be few digital records to describe or store. Although there are information professionals and digital archivists working on this issue, there is too much division in the nation's information systems to allow for a centralized digital depot right now.

Sunday, November 20, 2011

RFID for Archives: Or "Why QR Codes Are Becoming So Appealing As An Alternative"

As the world becomes increasingly faster in pace and larger in scale, new technological advances are being developed to keep track of the grand amount of records, supplies, and movements that make modern Western life possible. Perhaps one of the most promising—and equally threatening—is radio frequency identification (RFID), which utilizes the basic principles of reception and transmission of radio waves with every smaller microchips to easily identify and monitor large numbers of items in a short amount of time. Such technology has already been adopted by entities such as the U.S. Department of Defense and Wal-Mart to track their inventories, thereby ensuring that theft, misplacement, or loss of goods either does not take place or can be found quickly if such an occurrence does happen. The promise of this technology for archival professionals is that the inventorying and tracking of large amounts of archival materials, especially those in large archival collections for which item-level listing may be impossible. While there are a number of questions as to the beneficence for archives, RFID technology could be in the near future the way that many large and medium archives track their archival collections in storage.

RFID is defined as “a generic term for a set of technologies that use radio frequency (RF) to communicate data (a central component of which is an identity—specifically, a unique number)” (Resource #1). RFID systems consist of three main parts: an RFID tag, a reader, and the software for the system. An RFID tag is a small microchip with a radio antenna; these chips have a memory capacity to store identification data about the item with which the tag is partnered. Such tags are “read” by individuals through radio communication with a reader—a device having an antenna, transmitter, receiver, microprocessor, and memory storage capability that can make a contactless communication with the antenna of RFID tags (a PDA is an example of a reader). There can be portable readers such as PDAs (for manual checks) or stationary readers (which look like external harddrives) that are positioned throughout a room, emitting a continuous flow of information from the tags to a computer. The software allows the reader to process the information received and stored from the tags in a manner and framework which will be understandable to humans (Resource #2).

There are three varieties of RFID tags: active, passive, and semi-active. Active tags contain a silicone chip with a basic radio communication system present (an antenna and receiver), as well as an “on-board power source” (most often a battery) which keeps the tag “active” in order to continually transmit data to a reader. The read distance for active tags can be 100 feet or more, depending on the design of the tag. This type of tag is perhaps the least acceptable for use in archives due to the presence of a power source which—in contact with papers—could pose a potential danger to paper-based archival items. All tags whose data is programmed by a reader are said to have been “created” by the reader; additionally, when a created tag has had its data associated with a particular item, the tag is said to be “commissioned” (Resource #3).

Passive tags are so labeled because they do not have batteries; rather, they receive power through their antenna from the reader and do not send information unless a reader’s signal activates the tag. Because there are no moving parts within this tag, they are expected to have very long life spans and capable of resistant extreme conditions. Experiments have shown passive tags can resist corrosion from chemicals and can function well even at temperatures as high as 400°F. Due to their endurance and inertness to materials, passive tags would serve as the most appropriate for use in archives (though their read distance is much shorter than active tags—anywhere from less than an inch to 30 feet). Semi-active tags use an on-board power supply to function for specialized purposes, while they can only transmit data by activation through the power of a reader. These tags can be read from a maximum distance of 100 feet (Resource #4).

RFID tags—like CDs—can be either read-only, write-once (R) or re-writable (RW). Read-only tags can have their memory programmed by the manufacturer or by the user once with the data for the item to be associated with each tag. While that is true in theory, in practice read-only tags can actually be re-programmed or re-written several times. Read-write tags (RW) can be read-write or reprogrammed anywhere from 10,000 to 100,000 times (sometimes even more). These are the most expensive type of tag to make; they are also the least technologically secure, and as such are perhaps the least recommended for use in archives. In the future as the technology improves and production costs decrease, RW tags may become more of an option for archives (Resource #5).

RFID readers come in many variations, depending on the designer of the system and the uses for the system. Also known as “interrogators” (because they interrogate the information from the tags), readers are considered as the “central nervous system" of the RFID hardware (Resource #6). Readers operate within a “read zone,” the radius within which the radio transmitters of the tags can be picked up by a reader. The reader transmits AC power from its power source through the antenna to the tags, with the result being a transfer of data from the tags’ microprocessors. There are two types of readers based on their interface communication connections to a computer: 1) serial readers, which must be connected to computer’s serial port utilizing a cable; 2) network readers, which can communicate with a computer used both a cable and a wireless connection (network readers are almost identical to wireless network readers for standard network connections). Readers are further divided in to handheld and stationary readers. Stationary readers can be mounted on walls, doorways, or even moving objects (fork lifts, moving shelves, etc.) that are within the read zone; stationary readers are less expansive than portable readers typically, yet they need external antennas added. One version of a stationary reader is a RFID tag printer, which is capable of printing combination bar code/RFID tag labels. Portable readers, most commonly PDAs, contain internal antennas and can be passed over the items in a continuous motion—without line of sight to the tags. Portable readers can also exist in a similar form to those used in grocery stores to inventory stock. Portable readers’ effectiveness depends on their antenna signal strength, their battery life, and the size of memory (Resource #7).

Currently, RFID tags are used mainly for tracking and for inventorying. Tracking purposes include sub-dermal tagging (medical, child tracking, and animal tracking), security access cards, an anti-theft mechanism for merchandise in stores, marathons, airline baggage tags, and EZ-Pass and FasTrak road passes for cities like Chicago. Information about the item or person being tagged can be stored in the chip and retrieved through scanning. For inventorying, Wal-Mart, Target, and the U.S. Department of Defense are the first to use RFID tag inventories on a large scale. These organizations use RFID as a means of knowing where shipments are in-transit, rather than only knowing when they leave and arrive at their locations; thus, when inventories are being taken, they can include those items being shipped (Resource #8).

RFID systems have found their way actively into museums, and as a sideline into a number of libraries across America. An interactive science museum in San Francisco experimented with an RFID system labeled “eXspot” (due to the X-shaped readers positioned at exhibits) between 2002 and 2005. This museum used small cards or necklaces with embedded RFID tags which visitors could carry around and place on the stationary readers. The visitor’s RFID tag would relay pre-written exhibit information to a personal webpage for the visitor on the museum’s website; the purpose of the webpage is to provide the visitor with information on visited exhibits that they would enjoy exploring at will at home, with the ability to see photos of the exhibit items and show their family and friends. RFID is said to enhance the museum experience by allowing the individual to personalize their trip and learn what they want to learn, saving for later recall information and experiences that they would like to further investigate on their own. The Cleveland Museum of Art, one of the United States most prestigious art museums, will be using RFID technology in their exhibits in 2010 after a multi-year renovation project (Resource #9).

Libraries across the country have quickly become the most active users of RFID in the non-profit sector. California State University Library (Long Beach), UNLV Library, San Francisco Public Library, Berkeley (CA) Public Library, University of Connecticut libraries, New York Public Library, and North Canton (OH) Public Library are a few of the many libraries to be utilizing this new technology for inventorying shelved library books. Tags—replacing self-adhesive metal strips previously used in books—are placed in books checked out in pairs of 5-10 on radio frequency pads at the front desk. Inventories can be performed with portable readers shelf-by-shelf, saving time, money, and alerting librarians when books are out of place on a shelf. Robert Ferrari of California State University Library (Long Beach) states that “. . . ‘they had never performed an extensive inventory prior to having RFID. Now he inventories 5000 books per hour. The first time they did a partial inventory, Ferrari found 300 items they had recorded as lost or missing’” (Resource #10). UNLV Library estimated a savings of $40,000 for not having to replace about 500 materials previously believed to be lost.

RFID is now being discussed for use in archives, and has been implemented by records managers in various fields. The potential use for RFID in archives could be in placing passive RFID tags (the safest for use around archival materials) either on archival boxes or individual folders. This would enable archives to monitor through a reader the locations of various collections or folders from a collection within the storage area and reading room, as well as employee work area. The benefit would come in greatly reducing the chances of misplacing materials, misarranging collections, and ensuring that patrons and employees do not leave the archives with any collections or folders without permission. RFID readers can be set to alert someone when materials are being taken beyond a designated zone, or when certain rare or “high-level” materials are being used in locations where they should not be kept. Security, user records, and collection inventorying can all be improved with minimal intrusion to archival materials, especially since RFID does not require line-of-sight to read tags (useful for medium to large archives). As of yet, however, many archives—including the National Archives—are holding off utilizing RFID tags until the technology improves, security issues can be addressed successfully, and the cost-benefit of changing inventory systems can all be improved (Resource #11).

Records management benefits from RFID as “RIM professionals using RFID now have the ability to actually check files out—and back in—to users with no intermediation. They also can track and monitor files and records with extreme accuracy, not only within the room but throughout the entire facility” (Resource #12). A law firm dealing with patent law began an RFID system from Checkpoint Systems, Inc. in 1999 to manage its 12,000 files and growing, with the result of a great amount of time saved and legal research moving faster. Since records management deals with active materials, passive RFID tags would more immediately benefit RM rather than archives, at least until more archives-friendly adhesive labels and tags are developed. They would be especially beneficial for government record keepers, who are tasked with trying to keep track of lack numbers of records which are continually being utilized (Resource #13).

While RFID technology poses a huge benefit to archives, there are some serious difficulties to the implementation of the technology in archives. As with all new computer-based innovations, technological theft can be a potential hurdle as—theoretically—anyone with a reader and the right software can find where all the “rare” archival materials are located. Also in the realm of possibility is the ability of a person with a reader to re-program the RFID tags on archival boxes or folders. New protocols, algorithms, and codes are being instituted to protect this from happening, however the technology must catch up with the propensity for misuse of RFID before it can be feasible for archives to invest in it (Resource #14).

A second concern with RFID is the labels utilized for the tags: the adhesives of the tags could damage archival materials through off-gassing. Additionally, the labels’ adhesive could fail with time, or the labels could be pulled off of the archival boxes or folders accidentally. This concern could be solved by the implant of grain-sized RFID tags into acid-free folders and archival boxes, without the use of adhesive labels. Software upgrading can also be an issue, as many companies currently producing RFID tags have proprietary claims on them; several of these companies include 3M, Checkpoint Systems, Inc., and Virtua Library Services. Currently, standards devised by the International Organization for Standardization (ISO) to delineate communication between readers and tags have been implemented in order to form better interoperability with in-place computer platforms of organizations. Time and money to program the tags is another issue for archives and libraries that do not have the resources to begin and RFID system for their collections (Resource #15).

Some materials, such as metals and water, absorb or deflect radio waves (RF-absorbent or RF-opaque), giving incomplete or no readings for tagged files or boxes during the inventory or tracking of materials. This depends on the radio frequency of the tags. There are three types of radio frequency: low frequency (LF), high frequency (HF), and ultra high frequency (UHF). UHF gives the best transfer rate of data and largest read zone, while LF can transmit with better success. Older RFID tags could not be read well on items stacked two-to-three deep on shelves; while this issue has been solved greatly in recent years, there could still be the occasional non-read of tagged items that could be on archives’ shelves. RFID tags are thought to endure indefinitely (principally passive tags), yet there is no sure way of knowing how long these tags can last. Although RFID stands to be an excellent future option for use in archives, at present the technology is in its infancy (comparable to radio technology in the 1940s versus the 1990s). As technology rapidly advances, the reality is that by the mid 2010s, RFID could be in many large and medium-sized archives throughout the United States.

Resources

1) Radio Frequency Identification Technologies: A Workshop Summary. Computer Science and Telecommunications Board (Washington, D.C.: National Academies Press, 2004). Viewed on May 21, 2009, at http://books.nap.edu/openbook.php?record_id=11189&page=R1.

2) Sandip Lahiri, RFID Sourcebook (New York: IBM, 2006), 3-17; Radio Frequency; Roy Want, RFID Explained: A Primer on Radio Frequency Identification Technologies (Morgan & Claypool, 2006), 7-9.

3) Lahiri, RFID Sourcebook, 3-17; Radio Frequency Identification Technologies.


4) Lahiri, RFID Sourcebook, 3-17, 52-53; Radio Frequency Identification Technologies.

5) Lahiri, RFID Sourcebook, 19-20, 50-51; Want, RFID Explained, 63-66.

6) Lahiri, RFID Sourcebook, 22; Radio Frequency Identification Technologies.

7) Lahiri, RFID Sourcebook, 22-29; Radio Frequency Identification Technologies.

8) Lahiri, RFID Sourcebook, 63-88; Want, RFID Explained, 4, 29-40.

9) “Advantages of RFID in Museum Setting.” NJE Consulting. Viewed at http://www.nje.ca/RFID_ Museum.htm; Silvia Filippini-Fantoni and Jonathan P. Bowen, “Mobile Multimedia: Reflections from Ten Years of Practice,” Digital Technologies and the Museum Experience: Handheld Guides and Other Media, Loic Tallon and Kevin Walker, eds. (New York: AltaMira, 2008), 85-85, 135-139; Farhat Khan, “Museum Puts Tags on Stuffed Birds.” RFID Journal (Sept. 7, 2004).Viewed at http://www.rfidjournal.com/article/view/1110/1/; Wessel, Rhea. “RFID Helps Malaysian Museums Track Artifacts.” RFID Journal (June 22, 2007). Viewed at http://www.cbs.com.my/english/news/rfidjournal.pdf.

10) Laura Smart, “Making Sense of RFID,” Library Journal 129 (Fall 2004), 4-6. Viewed on EBSCO at http://search.ebscohost.com.; Diane Ward, “Radio Frequency Identification Systems for Libraries and Archives: An Introduction.” Library & Archival Security 18.2 (2003): 15-19. Viewed on EBSCO at http://search.ebscohost.com.

11) ACERA Meeting Minutes, 11/06/08,” Advisory Committee on the Electronic Records Archives (Meeting NO. 7). Viewed at http://www.archives.gov/era/pdf/acera7-minutes-110608-final.pdf; Paul Brachfeld (Office of Inspector General), “Audit Memorandum 06-07, Evaluation of Management Control Program for FY 2005,” National Archives and Records Administration (December 21, 2005). Viewed at http://www.archives.gov/oig/
pdf/audit-report-06-07.pdf.

12) Michael J. Faber, “RFID: The Next Tool for Managing Records?” Information Management Journal 36.6 (Nov./Dec. 2002), 62. Viewed at EBSCO at http://search.ebscohost.com.


13) Faber, “RFID,” 62.

14) Lahiri, RFID Sourcebook, 108-109.

15) Ward, “Radio Frequency,” 15-19.

Wednesday, November 16, 2011

Case Study—MPLP for Entry-Level Archivists: The Congressman David Hobson Papers

I am posting this draft article I had written last year about a hands-on approach to MPLP for grad students and entry-level archivists. I never published it, and the topic has been raised with me several times recently. I will note that I have not received permission from the institution under who's oversight and commission I was volunteering full-time at when I worked on this MPLP project. All views expressed within this post are mine and mine alone, and are not reflective of the processing approaches or theory of Wright State University Special Collections and Archives.

To step aside from QR codes for a time, I am offering this post on Greene-Meissner's "More Product, Less Process" approach to archival processing for young archivists.

Fresh-out-of-graduate-school archivists are full of optimism, fervor, and an abundance of knowledge from archivist conferences, literature, and internships. Though their levels of experience differ, they have all heard of the hip-cat lingo for the 21st-century archivist: EAD, digital preservation, Web 2.0, and email archiving. One such term that has spread a wildfire of debate throughout the archival community is the recommendation by Mark A. Greene and Dennis Meissner—that archivists let go of their anal-retentive, perfectionist tendencies in order to provide the public with access to records by a more streamlined, realistic approach to processing backlogged archival collections. Labeled “More Product, Less Process” (or MPLP for short), the debate over this processing strategy centers not on its usefulness as a technique—what self-respecting archivist would not love to process a great number of collections in a shorter period of time!—but on its ability to capture or control the descriptive elements of a set of archival records within the confines of the professional responsibilities of an archivist. (Reference #1)

Understandably, traditionally-trained archivists cringe at the notion of not arranging or giving their utmost attention to every individual item in a collection. We who have undergone such training feel that to do less than our best with each piece of paper or photograph could leave some tidbit of historical information un-announced to researchers who could be desperately seeking such material for a project or paper. Yet, MPLP is not about neglecting descriptive elements or mere exhibition of an increased performance by the archives to its institutional directors. Rather, MPLP grabs upon the communal instincts of archivists when we all walk amidst our shelves of unprocessed material and our hearts cry out “Boy, I’d really like these materials to be available for use!” MPLP in archives is common sense guided by an archivist’s trained processing instincts, pure and simple. It works best as an archival approach for medium to large collections, and will help relieve the stress on archives’ pocketbooks and on their shelving limitations. However, MPLP can be a challenging processing technique for the entry-level archivist. The fresh meat of preservation circles have not been entirely in charge of working larger collections, nor have they fully gained confidence in their decision-making skills in regards to archives. They are full of the perfect professional archival wisdom gleaned from the intellects of their model archivist instructors, ready to save the day with PlastiKlips and polyester film. The harsh realities of possibly being the only trained archivist at an institution, or spending all your waking hours on donor relations and grant-writing, have not permeated these pure ones (you can chuckle now if you so desire, reader). Such was my initial experience as a volunteer, full-time archivist on the Congressman David Hobson Papers at Wright State University Special Collections and Archives in Dayton, Ohio.

Fresh out of Wright State University’s Public History graduate program, I needed the one thing all employers demand of potential employees: experience in their field. Towards that end, I volunteered for my first non-school related archivist position in the summer of 2010 for two and a half months, and was assigned to work on two collections at the WSU Special Collections. The larger of the two collections was what turned out to be a 151-banker box collection of materials from a former U.S. Congressman for the Ohio 7th District, David Hobson. Congressman Hobson had retired from office in 2008, and his collection had been coming to the Special Collections in pieces over a span of two years. This collection was one of several recent, extremely large collections to grace their presence in the Special Collections’ holdings. Congressman Hobson’s papers were fairly organized, and what was not organized could be ordered fairly quickly if the right approach was taken to the collection. Space was at a premium, time was of the essence, and a young archivist was handed what seemed a beast of a collection. The rather unique part of this particular collection was that the Special Collections was making it their first try at MPLP processing, of which I had only a passing familiarity prior to this endeavor.

My experiences have taught me that both extremes of the MPLP debate are missing the point: processing just to process is not good history or professional conduct; neither are sidestepping traditional techniques or providing less detail merely to get archival collections prepared in a state we term “available to the public.” An insurance company that just processes all insurance claims will not be in business long, neither will a grocery store whose products are “available to the public” but without any pricing information for the products on the shelves. Processing should have nothing else at its heart but to make available to others the expertise and “special” knowledge you, the processor, have gained from your unique, in-depth experience of processing a collection. Most researches will never be able to do what you have done (nor will most archivists be thrilled with a researcher asking to see all 100 boxes of a collection to get to know better the topic or person represented in the collection). Therefore, I present to the archival community—and especially to entry-level archivists—several principles (in true I-Robot form) to make MPLP about a good product in less time, that still falls within much of traditional archival teaching.

First Principle: make the inventory of your collection the centerpiece of the MPLP process. The difference between a traditional inventory and an MPLP inventory should be obvious: since MPLP is less specific, the one element of this processing mechanism that should be extremely in-depth is the inventory. While this point seems contrary to “traditional” MPLP strategies, it is a vital element of a version of MPLP developed throughout the processing of the Hobson collection. The less detailed an inventory is, the more often one will have to double check boxes and continually change their series, topical breakdowns, and rearrange the contents of their boxes, wasting valuable time and energy that the MPLP process is meant to save in the first place. The more detailed the inventory, the less one will have need to work in depth on the scope and content notes, for much of what you need will be already included in the inventory. The in-depth inventory additionally will make it easy for an archivist to handle over some processing duties to student assistants or volunteers, ensuring that they have the information they need to create box or series lists. Inventorying is less time-consuming than physical processing of materials, and it pays to spend an extra few days on the inventory if it means saving you a few weeks down the road. This is especially the case when there is only one person working on a collection, and that person has to move the boxes back and forth from their storage location. For large collections in many archives, this is an impracticality and an unnecessarily exhausting exercise.

Second Principle: the series and subseries of your collection are the keys to a successful MPLP process. The more series and subseries you have without overdoing it, the less time you, the archivist, has to spend on folder-level or item-level description and detail. I gave the Hobson collection 12 series and 37 subseries to facilitate such a detailed order that the collection could be processed with a great amount of description and control, while simultaneously cutting off time and the number of supplies needed to process at a minute level. Within the series or subseries of the collection, I arranged the foldered materials in a rough chronological order by year (rough since not every single item was sorted or checked for a date, in keeping with normal MPLP techniques). For example, note the following entry for Series I from the introduction paragraph for the Hobson Papers’ scope and content note:
Series I: Congressional Legislation (102nd-110th Congress), is housed in 10 records center boxes and divided into five subseries: Subseries IA: Miscellaneous Legislative Issues and Debates, Subseries IB: Congressional Bills and Resolutions, Subseries IC: Signed Letters and Sponsored Legislation, Subseries ID: Thank You Letters, and Subseries IE: Congratulation Letters.

Rather than leaving all the letters in one series as “Congressional Correspondence,” the divisions of “letters” to Congressman Hobson were broken into Thank You Letters, Congratulation Letters, and in Series II the Constituent Correspondence. This category separation gives the researcher enough of an understanding of what should be contained within each subseries that no more processing detail beyond the folders (see discussion a little further on related to using folders for subject matters) should be needed. If I am a researcher looking to see if there exists a thank you letter from Senator Trent Lott (for example) to Congressman Hobson, the “Thank You Letters” subseries, being within the Congressional Legislation series, should guide one to realize these thank you letters are related specifically to Congressman Hobson’s dealings with politicians and organizations concerning legislative issues (not thank you letters of a more personal nature). There should be no need for a single item-level description or MARC entry for “Thank You Letter, From Trent Lott to David Hobson, [date]” (technically incorrect, I know—I use merely as an example).

The greatest element of control in MPLP processing are the series and subseries of the collection. Even more so than traditional processing, the more detailed a description for the contents within the series or subseries—or a greater number of subseries to provide greater control—the less time and description one has to spend beyond the folder level. Item level can almost entirely be dismissed from MPLP processing (except, of course, on occasion depending on the number of items or importance of those items historically), which leaves the archivist the flexibility to process as many folders as possible that belong to one subseries before moving onto another.

Third Principle: subjects and folders can and should go hand-in-hand where possible. Congressman Hobson was a member of the U.S. House of Representatives Energy and Water Development Appropriations Subcommittee of the Committee on the Budget. Under his watch, the subcommittee dealt with the issues of nuclear waste sites and nuclear weapons. There was a great deal of information on this topic, but the individual items often were a little scattered, with there being copied newspaper articles for research, official subcommittee hearing transcripts, letters from experts in the nuclear field, and so forth. Rather than agonize about the item-level description or division of the folders, I used these two broad subject categories—nuclear waste sites and nuclear weapons—and put all the materials dealing with each respective topic in a folder labeled either “Nuclear Waste Sites” or “Nuclear Weapons.” There were several folders for each subject, span dates were assigned to each folder’s contents, and the processing was complete. In this manner, a researcher looking for information on nuclear waste site cleanups in the 2000s would be able to search the Hobson collection’s box list, where the folder title is listed, and the researcher can then search though each individual item in the folder. You see, there’s no loss of access—it is just a broader way of thinking about access.

Librarians who utilize access points in cataloging descriptions for, say, a book on World War II in North Africa, could represent the subjects “World War II in northern Africa” and “Operation Torch in North Africa” as, respectively, the subject classifications “Africa, North--History, Military--20th century” and “U.S. Army campaigns of World War II.” Although you do not list all the countries in which the U.S. Army fought in Africa or the specific military campaign in Vichy-controlled French North Africa, a researcher will look under resources dealing with the subject heading “U.S. Army campaigns of World War II” for a book on Operation Torch. This is in keeping with the definition of subject classification according to Richard Pearce-Moses’ staple work Glossary of Archival and Records Terminology: “The organization of materials into categories according to a scheme that identifies, distinguishes, and relates the concepts or topics of the materials” (Reference #2). Broad subjects are helpful for most of what an archivist will process utilizing MPLP.

You might be thinking, “We already follow these guidelines, though—so what is so different in your approach compared with ours?” The rest of this article will be focusing on the specific time, space, and non-traditional benefits wrought by the approach taken with the Congressman David Hobson collection. One issue in current MPLP processing approaches is the belief that to save time, less-descriptive finding aids are needed when using MPLP on a collection. Christine Weideman stated in her MPLP article “Accessioning As Processing” regarding Yale University’s MPLP approach that “By doing so little work beneath the series level and within folders, the accuracy of the finding aid is potentially compromised for researchers and reference archivists” (Reference #3).

My question is simple: why? Why does it have to? A finding aid’s most relevant factors are the scope and content note, biographical information/historical sketch note, and arrangement note. If one follows the principles I have laid out above, an archival collection’s box list should be a mere listing of the folder titles, in the order in which the processor(s) have arranged them within the box. The inventory of the 151 boxes (now whittled down to 140 linear feet) of the Congressman David Hobson Papers took me two weeks on a part-time basis; the rest of my time was spent pulling reference desk hours, and processing the other collection I mentioned previously to which I had been assigned. The actual processing of the collection occurred from July 26, 2010, to August 13, 2010, Monday through Friday, during which time I provided occasional research assistance, served 10-12 hours a week on the reference desk, and served in a variety of other small capacities. Three solid weeks of processing led to the complete processing, re-boxing, needed re-foldering, and historical research of approximately 110 of the original 151 unprocessed boxes of the Hobson collection. I then worked in the WSU Archives for 7 hours per week for about a month (from the end of August to the first week of October), during which time I processed another 15 boxes and created a processing scheme—complete with processing guidelines—for the graduate assistant who would complete the collection, including filling in the box list. A total of about a month of processing led to the processing of 125 boxes, with 15 of those boxes being eliminated due to condensing the materials and giving them better physical arrangement. The total processing time for the collection, between myself and the graduate assistant, took approximately two and a half to four months.

As of the time of this writing, the WSU Special Collections graduate assistant—Jeremy Katz—who was assigned to complete the collection following my guidelines, has completed all processing steps, and finalized the collection and its finding aid (see the finding aid here: Congressman David Hobson Papers). The finding aid totaled 98 pages. Most of this is the box list, with pretty basic biographical and arrangement notes that sufficiently explain the collection’s history and organization. Mr. Katz worked on the remaining part of the collection—26 boxes of photographs and local Ohio district records—part-time on what is already a part-time work schedule (20 hours a week for graduate assistants at Wright State University). The description of the collection in detail in the finding aid makes handling such a large collection so much easier, particularly when a researcher is looking for certain information from the collection. Less-descriptive finding aids are not always better, and will cost an archival repository in the long run with the time needed to answer researcher’s questions, and clear up their confusion over little described or arranged portions of a collection. There is one institution in the state of Ohio in which I researched that utilized MPLP-styled finding aids, and they were quite awful: not only were the descriptions incorrect, but the categories and arrangement of materials were confusing. Saving time is no excuse for poor organization or poor description.

A second point I would like to address regarding the MPLP debate is the issue of FTEs (full-time equivalent) archivists and time-saving procedures. In his response to some technical and perhaps analytical inconsistencies with the Greene-Messner approach, Carl Van Ness of the University of Florida made an extremely obvious and also extremely vital observation about archival institutions and the implementation of MPLP:

At most institutions, people at the bottom of the archival workforce hierarchy perform the labor-intensive preservation tasks [i.e. remove paper clips, etc.]. At academic repositories, student assistants, many on federal work-study assistance and making near minimum wage, are routinely employed. At local historical societies, unpaid volunteers often do the work. Furthermore, these same people perform labor-intensive descriptive tasks such as typing up file title lists. . . The unskilled FTE saved when we stop removing paper clips will not convert to even a fraction of the professional or paraprofessional FTEs needed to bolster descriptive programs and reference services" (Reference #4).

Exactly! This, my fellow archivists, is precisely the problem. Would an architectural firm have an intern draw up all the infrastructure support plans for a skyscraper? Would a general have a private lead a charge into a battle? Would a historian and history professor put the writing of their monumental history of Aaron Burr on their graduate assistant? Obviously, no. Then why do archives allow such a large amount of the work to be done by students? What are the actual trained archivists doing? Usually, donor relations, outreach, cataloging, preservation tasks, exhibit creation/installation, committee meetings, budget meetings, and the list goes on and on. I suppose, as a young professional, I would ask why someone goes to school for 6-8 years for history-related studies and professional training in archives/library science, only to have someone with at minimum a bachelor’s degree do the processing, description, and creation of a finding aid for a manuscript collection?

I am not attempting or mean to knock or insult any archivist out there; I simply am pointing out how the issues observed by Greene-Messiner, Van Ness, and many other professionals have developed. An archival institution is a complex organization requiring professional archivists to wear many hats and change direction on projects at the drop of a dime. However, the issue still exists, and professional archivists are, in the words of Van Ness, serving as a “collection curator” (Reference #5). As a student, I have seen the student side of processing, and through my connection with numerous archival students and professionals in the field, I am well aware of the numerous mistakes that these archival “newbies” make on collections. This is where the real time comes from in many archives: not only do archivists have to train the volunteers and student assistants, but they will later have to go back through these individuals work and possibly redo a great amount of it. Obviously, students (I include myself in this group to a degree), need training from somewhere, and archival institutions are the only places to receive that training hands-on. However, because of the extreme amount of quick decision-making necessitated by the MPLP technique, I strongly believe the archivist in charge of the collection should be very involved in the processing itself of collections utilizing MPLP. Oftentimes, students can be afraid of getting in trouble for mistakes, over-think decisions, and often are afraid to ask a busy archivist for assistance or clarification on any MPLP approaches to particular problems. If professional archivists are having difficulty getting accustomed to MPLP, then it follows that students and volunteers would have much more so of a difficult time.

Equally important, student assistants and volunteers often become the experts on the collection which they are processing. When these short-term “employees” leave the archival institution they call home, what can an archives do? After all, we are told time and again in the archival community that the archivist who worked on a particular collection is an invaluable source of information for researchers on those collections. Yet if those with the knowledge of the collections leave the archives for whatever reason, how will the time, research needs, and access at that institution be affected? Can this effect be quantified in dollars and minutes? The answer is an obvious no. By the archival community placing the great bulk of their processing on non-permanent individuals, their institutional knowledge—the thing that makes an archives so invaluable for researchers—is greatly harmed for the negative.

As for myself, I was a volunteer and had just been a student as of the summer of 2010; however, I also had the archival studies degree, completed my archives internship, processed several collections, been a published author/researcher, and had a good hold on the history and subject matter involved in the collection. John Armstrong, reference archivist at WSU Special Collections and Archives, was the archivist in charge over me during my processing of the collection, to be there as a sounding board for decisions and also to make calls on important issues related to the policies of WSU Special Collections and any donor restrictions on the collection. Even so, I was allowed to process the collection independently, and had occasionally been consulted by the graduate assistant who completed the Hobson collection. That being said, there were a combination of experience factors, pre-existing knowledge, and trust involved in the processing of the collection that can take a while in institutions which are just becoming familiar with the character and knowledge of their new volunteers and student assistants. Supervision and training of student assistants and volunteers often slips through the cracks in many archival institutions throughout the country (coming from the perspective of a student familiar with other student’s experience at these institutions). The training may come with time, but MPLP is suppose to be a time-saving device that requires experience to apply it to the utmost of its potential as a technique.

Did I remove paper clips, staples, acidic manila folders, and other harmful elements to the materials in the Hobson collection? When necessary for re-filing or due to bad deterioration—most certainly. Did we remove everything from their acidic folders and place them in newer, more expensive acid-free folders—not always. General constituent correspondence, which contained innumerable staples and odd material types, were left in their manila envelopes. This was partly due to the numbering on the existing folders, partly to save time, and partly because there is no point in re-folding all of 53 boxes of paper objects if the acidic papers in them are going to be left with envelopes containing glue, staples, glittery thank you cards, and other such archival preservation nightmares. The reality was that general correspondence does not garner as many researcher requests as would congressional correspondence. Additionally, taking valuable archival supplies from use in, say, an addition to Glenn Curtiss collection material held at Wright State Special Collections could not be justified in order to preserve a note, for example, on blue card stock from a 5-year old girl telling Congressman Hobson “thanks for coming to our school.” As such, I agree with Dan Santamaria’s observation that “Processing priorities and even processing decisions about individual collections are simply a form of appraisal, of assigning value to collections and portions of collections” (bold and italics added) (Reference #6). The great strength of MPLP is the ability to appraise materials quickly; but this approach in the hands of the ill-equipped can make those quick decisions quick problems, as well.

Hopefully, my experience with MPLP and the approach utilized on this particular collection will help to increase the comfort level of applying MPLP. The key to the use of MPLP on a chosen collection is to not focus on the details, in order to provide more detail in less time for the user. In a session at the MAC Fall 2006 Symposium on Minimal Processing, Colleen McFarland summed it up best by advising: “Be imperfect. Perfection is your worst enemy. . . Collections do not have to look pristine in order to contain useful information" (Reference #7).

References

1) Mark A. Greene and Dennis Meissner, “More Product, Less Process: Revamping Traditional Processing,” American Archivist 68:2 (2005).

2) Richard Pearce-Moses, Glossary of Archival and Records Terminology (Chicago: Society of American Archivists, 2005), viewed on February 16, 2011, at http://www.archivists.org/glossary/index.asp.

3) Christine Weideman, “Accessioning as Processing." American Archivist (Chicago: Society of American Archivists) 69.2 (Fall/Winter 2006): 282.

4) Carl Van Ness, “Much Ado About Paper Clips: ‘More Product, Less Process’ and the Modern Manuscript Repository,” American Archivist 73.1 (Spring/Summer 2010): 138-139.

5) Van Ness, 144.

6) Dan Santamaria, “Guest blogger: Dan Santamaria shares some thoughts on the recent MPLP discussions” (August 21, 2009), viewed on February 16, 2011, at http://www.archivesnext.com/?p=332.

7) Colleen McFarland, “‘It Changed My Life:' Lessons Learned from Minimal Processing,” presented by Colleen McFarland at the Midwest Archives Conference Fall Symposium, October 2006 (viewed on February 20, 2011, at http://www.archivists.org/saagroups/lonearr/resources.asp).

Sunday, November 6, 2011

Website Review: University of Alaska, Fairbanks, Alaska Film Archives

In the first of what is hopefully many website reviews to come, I introduce you, my readers, to the Alaska Film Archive (AFA) at the University of Alaska, Fairbanks. Let me first start out by saying as an archivist with many films of my own to preserve that of all the states in the U.S., I would like to be in Alaska when in need of a cold-storage room for film reels! Anyway, the site is basic at first, which is not a bad thing: in fact, the simple structure allows discover of materials to be much less cumbersome than huge, fancy websites. Per their project's mission statement, the AFA:

". . . has built the largest collection of archival films in and about Alaska, with particular strength for the pre-statehood era. The current collection of films and videos combines hundreds of individual donations to UAF with films collected earlier by the Alaska State Library. Since 1993 these materials have been maintained in the Alaska Film Archives, a unit of the Alaska and Polar Regions Department in Elmer E. Rasmuson Library. Our goals are to:

Locate and collect film and videotape pertaining to Alaska through donation.
Document the region, date and activities of each film.
Catalog each film or tape and make them available for viewing.
Store original materials in controlled environmental conditions."

The AFA has done remarkable outreach work in the process of identification of their films and the subjects contained therein. Particularly impressive is their cooperative work with native Alaskans and Eskimos to preserve the latter's cultural film heritage: "During the course of the project VHS tape of the films and more than 1100 still-frame photographs captured from film were reviewed by Native elders in six Alaska locations." Not only did the AFA gain immediate users and records requests from this outreach, but the Native Alaskans benefited through the united cultural identification experience. If nothing else had come of it, the archivists would have learned a great deal from the tribal elders about their people and experiences, useful in supporting the awareness and study of Alaskan heritage and native cultures.

From this collaboration came an identification list that is still being built regarding films that would have taken archivists years on their own to identify and describe. Because of the AFA's outreach, they have been able to make use of social networking, placing large numbers of samples of cultural films on their YouTube channel that has resulted in over 100 channel subscribers (quite a bit for an archives' video site), with 153,409 video views since the YouTube channel's creation in October 2009 (http://www.youtube.com/user/alaskafilmarchives).

All of the work the AFA has done with a state that has only been in existence since 1959, and with numerous cultural and economic issues facing them, is quite remarkable in their creative use of resources to promote their relatively remote archival films. Their mission is unique and they are going a great job with such a special project. You all should check them out:

library.uaf.edu/film-archive

-The Eclectic Archivist

Sunday, October 9, 2011

I Demand A QR! QR Codes and the Archives, Part 1

Ah, technology. You know, technology use to mean new mechanical devices, new medical discoveries, and new weaponry--at least in the Roaring 1920s. Nowadays, a person's first thought about hearing of a new technology is "I guess that means they are close to cloning now" or "What new miniature camera have they developed?" Life has come far and fast since I was a naive 14-year old in the year 2000. I was still typing papers on a word-processing typewriter my oldest sister owned. The tides have turned, and everything digital has creeped into water cooler conversations and library policy. The newest hot-button ticket are QR codes, or "Quick Response Codes." They are, very simply, "a small square barcode readable by mobile phones and webcams. It can link to a website, an address or other contact info, a video, an animation or other web content" (Source 1). To be more exact, QR codes are two-dimensional bar codes, capable of having their image imaged from numerous different angles, instead of the typical bar code scanner that almost has to be perfectly aligned horizontally in order to read the code. The means of access the information on QR codes has become a reality for widespread use with the rapid development and availability of 3G, 4G, and now 5G cellular phones with descent-resolution digital cameras included.

QR codes are "popular in Japan, where they are used for commercial tracking, logistics, inventory control, and advertising. Their popularity is climbing in Europe, the United States, and Canada as people increasingly use mobile phones to access 3G networks" (Source 2). Webcams are also capable of scanning QR codes, but their interpretation depends on a software that can interpret the images. Also, in order to create QR codes, you must have a QR codes generator (many of which are free online). So, why are they such a big deal, particularly in university and inventory use? Unlike most things in the world, QR codes offer just what their name implies--quick access: "Scanning a QR Code and storing or accessing data directly using your mobile device is more efficient and convenient than writing information down or typing URLs into your mobile device" (Source 3).

qrcode
The QR Code for this archival blog.

In the non-profit sector, museums, libraries, historical societies, historic walking tour programs, public transportation systems, and a variety of others are using QR codes to connect easy access to easy information location. Why take notes on a notepad in a museum (especially when these days items you can take into public buildings is limited) when you can snap a photo, mark the information for future unlimited access, and continue on your tour of the museum without missing a beat? I personally saw QR codes used extensively in Chicago this summer, particularly in the Art Institute of Chicago. As web browsers have drawn researchers and the general public to using web browsers for marking research (as I do often, through my bookmark feature), the same thing is provided "on-the-go" through QR codes. The idea is very popular now in libraries, which are looking for any low-cost ways to integrate seamlessly new technology into libraries' traditional services and collection offerings. QR codes printed on normal sheets of paper posted on shelves, set alongside displays, and used to draw attention to new holdings is especially popular.

As for cultural institutions, mainly museums and archives, museums have become the greatest user of QR codes, with archives slowly catching up to their possibilities. Even when most archives utilize QR codes, it is for exhibits of archival materials--not for processing, acquisitions, outreach, collections management, or organization. Luther College in Iowa, Mercer University in Georgia, and the National Archives (U.S.) are actively using QR codes in some ways related to their archives' workflow. As mentioned in my previous introductory post to QR codes, there are also some innovative ways in which this technology is being used by historical societies to highlight already online archival materials by other departments in the historical society.

This summer I worked in a summer position researching the entire history of the Old Kentucky State Capitol Building (completed 1830) in Frankfort, Kentucky, for the Education Department of the Kentucky Historical Society. There was a lot of misinformation on the events, people, and construction of the building throughout its history, and I was to research in archives throughout the state (and virtually throughout the country) for primary materials to obtain copies for informational support of programing for the Education Department, particularly for adult audiences. In this time of the Civil War's 150th anniversary, this building was the only Union capitol to have ever been captured and occupied by Confederate forces (happening in 1862). I gave tours of a building with little ability to have extensive museum exhibits inside, and having large amounts of data to tell people within an hour. As KHS's Civil War tour series of the capitol building--held every Saturday afternoon, by the way-- started under way, the Education team was looking for new ways to utilize QR codes for this vital state history tour program.

Let me introduce you to my new good friend Greg Hardison, director of the Museum Theatre program for the Kentucky Historical Society. I have never met a man more excited about finding new archival material for programs, nor have I met a non-archivist whose loved archival materials so much as he. Greg headed the development of the Civil War tour series, and as I was researching the building, he and I worked a lot on records I found and ways to integrate them into tours (or what information would be interesting to visitors). Fortunately, the Special Collections of KHS has a large number of items online, particularly Civil War items. Towards the end of summer, Greg introduced me to QR codes, and that he was planning a program to print copies of our archival material out with QR codes linking the KHS Special Collections' materials to the copied item, for use in the tours. Copies of October 1862 newspapers to be browsed by visitors was great, but so much text on these old papers was hard to read while following a moving tour in a historic building.

Greg's solution: using QR codes printed onto copies of the archival materials would allow him to place items throughout the building without having to create a museum exhibit, while also letting people use their phones to bookmark the newspaper for later use. Literally, people were creating their own virtual archive to relate to the events that happened in the Old State Capitol to follow along with their tour. They could take these things with them on their phone, show the informational component of the tours to their friends and family without having to write down large amounts of information, and the other people could copy the links to learn as well--without having gone on the tour. The possibilities are tremendous, and the simplicity, yet high-impact value of the idea, floored me. Greg caught on something archivists rarely do, because Greg is not an archivist: his job is to entertain, attract, and instruct people in ways that they will find interesting, using visual and sensory interaction to engage the public. I got the hint: time for this archivist to think about applying QR codes to archives.

For full disclosure, I do not have a 3G phone (more because of finances), so I've never used QR codes. But I have extensive inventory use of bar codes in a library and retail sales setting, and have come to understand the value of fast reference via digital scanning capabilities. QR codes offer something archives can value: ways to link on their website specific lines of EAD archival finding aids to archival boxes, folders, and even items. You can print off QR codes on acid-free bond paper sheets, cut off the code, and slide it into the sleeve with the archival item! Archives can implement this new technology with the technology most libraries and individuals have on them already, and you do not need special program approval to institute this so much--you are not adding anything other than another means of using the Internet to connect to your collections from what is already in your archives' catalog. It gives people the option of reading all the archival material for museum exhibits or saving it for later--they might be interested, but have a headache, fussing with the kids, or in a hurry before closing time. Archives can be creative, adding designs to the codes or making them a point of a "treasure hunt" type of event in the archives (or museum).

While all of these things are great, I suggest going further: using the materials in processing archival collections, managing collections, managing acquisitions, and assisting researchers with citation information. All of this shall be discussed in Part 2. Part 3 will look at the mixed-uses of QR codes by museums in tandem with archives, and Part 4 will give my perspective of this newer technology in light of current events in archives. Stay tuned, will you?

Resources

1) “QR codes,” http://wic.library.upenn.edu/wicshops/qrcodes.html.

2) “7 things you should know about... QR Codes,” http://net.educause.edu/ir/library/pdf/ELI7046.pdf.

3) “About QR Codes,” http://www.georgefox.edu/offices/murdock/QRCodes.html.